Dialogue has three main purposes; move the plot forward, connect your readers to whom your characters really are, or both. In other words, things should never come to a dead end once a character starts talking. Recently, we explored scene and sequel (click here for Part One) and we discovered how scenes help to move the plot along. Often times, this is done using exposition; however, using dialogue can be very effective in helping to advance the scene.
Let’s explore:
When it comes to describing setting, dialogue is a great tool to
use in place of conventional exposition. So instead of using exposition to
describe the scene:
When the taxi pulls
around the corner, Ashley looks up and sees the overgrown trees and the creepy dried
up vines crawling up the walls. She shivers thinking that she once called this place
home.
Try interjecting dialogue and let the character do the
describing:
When the taxi pulls
around the corner, Ashley looks up in horror, “What happened to my childhood
home?” She says seeing all the overgrown
trees, “It’s so dark and look at all the dead vines creeping up the walls!”
Doesn’t using dialogue help you feel like you know Ashley a
little better? It also makes us feel a
little sorry for her because she does the actual describing allowing us to see
her feelings. Plus, using dialogue to
describe her arriving at her childhood home allows you as the author to move
the plot forward by having the taxi driver exchange conversation and perhaps
tell of a mysterious event that happened at the home. The possibilities are endless!
Dialogue is also effective when it comes to pacing. Sometimes scenes
filled with exposition can become long and drawn out making the reader feel
like the story is heading nowhere. By breaking
it up with dialogue, you can help bring the reader into the scene and make them
feel like they are right there with your characters!
Did you know even nonverbal communication has the power to carry
an entire scene? That’s right, having
one character not respond at all to another character’s actions can tell the
reader exactly what that character is like. Let’s examine:
As Terri pushes the
sweeper back and forth across the living room floor she becomes angrier and
angrier every time Jimmy lifts his feet so she can sweep under the couch. “He hasn’t even once noticed my new lingerie.”
She thinks.
With her head feeling like it wants
to explode, Terri deliberately stands in front of the blaring television trying
to block the game. Jimmy simply glares at her and throws his hands up in the air,
trying to look around her. Knowing she isn’t going to win his attention she storms
out of the room, purposely forgetting to turn off the vacuum.
So don’t be afraid when self-editing to look for areas in which
you can strengthen character development through dialogue or nonverbal
communication. If you write for middle-grade or young adult, did you know when
they are perusing books to purchase if the first or second paragraph lacks dialogue
they usually end up not purchasing it? That’s right, so go ahead and say it!
Until next time,
Keep on thriving, keep on striving and keep on writing!
T.K. Millin
The Unknown
Author
Dialogue is huge, whether standard or in italics. It is a plot driver as well as an insight giver. Some writers totally suck with dialogue: it's stilted and forced. It should be written the way people actually talk. Except for me because I stutter, but that's another story.:D
ReplyDeleteGreat post, T. K. It says it all!
Blaze
You are so right Blaze, and as far as you talk, you speak as smooth as an eagle flying on a cool summer breeze. Isn't it great to be a writer!
ReplyDeleteYvonne loves the way I talk. She's such a special lady. For everyone else, my written words must suffice.
ReplyDeleteBy the way, I loved your flash fiction on your sister blog. Tres cool!
Blaze